Poet Jennifer Reeser has a new sonnet at Rattle, a print and online magazine known for publishing poets laureate and emerging voices. The sonnet, “Strong Feather Buries the White Woman’ is powerful, not just in terms of the history of our young country, the US, but in terms of my personal history. By coincidence as I read her sonnet for the first time, I was also engrossed in Reeser’s latest collection, Indigenous. In between reading those poems, I’ve been immersed in reading the A Song of Ice and Fire novels the HBO series Game of Thrones was based upon. Her
Pt. 1 of 3 Let’s face it. Poetry can be boring. On the other hand, poetry can be exhilarating when the writer dares to tread on murky ground. Jennifer Reeser does the latter. Her work has appeared in numerous anthologies and in her own collections, and you never know what subject she will tackle next. A master sonneteer and expert at other forms as well, her poems fall flawlessly on the ear. Among those I found extremely interesting is Reeser’s collection The Lalaurie Horror, described as a “poetic ghost tour” of a mansion once owned by an alleged female serial
If you write songs, chances are you’ve confronted the same challenges poets confront. How do you make time-honored themes like love and loss or anger and redemption new again? You have to do that if you’re writing a new song—you can’t rely on standard clichés and rewrite the same tropes, even altered, over and over again. I often talk to musicians and songwriters in my personal life, and lately, I find myself recommending the one book I think every songwriter (or poet) should read. The latest person I recommended it to is a filmmaker (Hello, Jared Rush).