In June, 2019, I wrote a column to call attention to misleading information the US Library of Congress published. The LOC, enthusiastically announcing the appointment of Joy Harjo as the nation’s new poet laureate, claimed in the subhead to the article that Harjo is the first Native American to serve as US poet laureate. Poet A.M. Juster attempted to get the record set straight, as did I.
I was born in the aftermath of World War II, and there were so many of us born in hope after the great despair of the war, my generation acquired the now derogatory label ‘boomers’. It stands to reason that I would be very interested in that war, in what caused it, and why it mattered so much that we named it a world war after declaring the first World War would end all wars. I grew up hearing stories of oil cloth placed over windows when sirens would sound the alarm, and of ration cards for gas and sugar. I still have some of those ration cards.
It’s not surprising that the attacks on the US on September 11, 2001 inspired art in different genres. One of the most significant genres is the music that tragic day produced. For my generation, and those younger, 9/11 was perceived in a manner similar to the way my grandparents and parents responded to Pearl Harbor Day observed on December 7. Some songs touch us more than others. Continue reading “For me, Jackson’s song stands out among top branded works on 9/11/2001”
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I’ve long had concerns about privacy, sharing methods, and search histories on the Internet. While there have long been activists concerned about government spying, there are less concerns about Big Tech spying although in my opinion it’s widespread. Have you ever looked at the long URL that shows up in your browser if you follow a search result from a list returned by the biggest search engine on the Web?