Go to a workshop on making money with your music, and you will hear how valuable streaming is. Spotify is supposed to be one of the magic roads indie artists should take. For consumers willing to pay for music, Spotify is a deal. For artists hoping to gain exposure via Spotify, the service can be a frustration. In an interview with Spotify founder Daniel Ek, Stephen J. Dubner (Freakonomics podcast) makes some interesting points. For starters, how much money can a professional musician expect to make in a year?
It’s happened to me and I’d bet it’s happened to you. You’re listening to the radio or to your favorite stream service and a top charted song plays. You may think this top song isn’t all that great, and it’s by an up and comer. You ask yourself how that song even got released much less moved quickly to the top of the charts. As with so much else in life, it starts with dreams. Then come schemes and streams. Is it acceptable? Should this be disclosed?
AWAL is getting some attention for its royalty model and for the fact artists retain rights to their recordings. Kobalt Music Group has combined its recording assets under the AWAL umbrella, having acquired that company in 2012. The focus is on indie music. So what does it take to get on board and what can an artist expect if that happens?
When Jen and Rebecca began performing together, one of the first songs they recorded was “Until I Win.” I’ve always liked the song, in part because of the lyrics and the message. It’s consistently performed well in the download world, and now this little song that could actually did.