I encountered the band Gerry and the Schaks quite by accident. I’d read a fascinating novel, The Ruby Tear Catcher, by Nahid Sewell, and after I’d written about the novelist for a national magazine, I remained connected with Nahid via Facebook. One day I was scrolling down notifications, and saw a post she’d made about her husband’s music. I clicked on it. I loved what I found.
It doesn’t matter if you’re a performer or a music enthusiast, if you’ve taken in live music performances, you will always witness special requests. While it’s true most of my experience is in Americana or country venues, the requests cover all genres. “Time after Time” is a perfect example.
Are you an indie musician with a hot song? Have you recorded the song in a “fully mastered and complete” format? If so, you might consider entering the Independent Music Awards contest. Entry fees are reasonable, and the bang for your buck if you win will definitely be positive.
I first came to know Nahid Sewell through her novel The Ruby Tear Catcher. I read the novel, and concurrently running through my mind were the Iranian expatriates I came to know well as friends in the 1980s. I wrote about her novel for The Writer Magazine. Years after I wrote that story, I saw video Nahid posted of her husband on Facebook where she and I had reconnected. I was blown away again.
Spotify has big record labels in a tizzy over a policy that may help indie artists. Before this new initiative, if you wanted to get to the top of the charts by traditional means, you had three options. Now it appears indie artists will have another potentially better option, and the labels who’ve controlled the industry are not too happy about it.
With Gunboat Diplomats, you never know what to expect. These musicians recording as a group, who perform in a variety of venues and bands, including solo acts, most definitely embrace variety. The last song, “Original Sin”, was described as “a bastardized bossa nova.” I liked that song, bastardization or not. The latest from GD is a sharp turn compared to past recordings, however.
It never fails. At least one person, at almost every gig from among hundreds of gigs in a single year, will request a song. The most frequent request by far, regardless of the city or state they’re playing in, for our band is “Freebird”. It’s not on a popular list of karaoke songs, but another one Rebecca often plays is on it. “Friends in Low Places” is most definitely popular among all age groups, probably for one reason.
I spend a lot of time reading about music and listening to it. I do this because of my daughters’ business but also because I love music. I met Ahi not long ago by way of a blog I read. I have these Emily Dickinson moments when I find a song that just thrusts itself into my heart. I feel the same way when I find a poem that is a real poem instead of the artificial word games so many academics have reduced that genre to. When I found Ahi’s “Breaking Ground,” I got that Emily thing going.
Depending on the type of music, concerts can sometimes go south very quickly. Now there’s a story breaking about a punk rock singer who allegedly spit in a fan’s face and then allegedly proceeded to hit the man too. The dustup was about politics, ever-present today in some music scenes partly as a means of the band catering to the corporate machine controlling their revenue. How’d it all get started?
I’m a sucker for lyrics, courtesy of my being a sucker for poetry. That’s one reason, I guess, the latest recording from Gunboat Diplomats, “Original Sin”, is still stuck in my head. GD, as I wrote in an earlier article, aren’t your typical gig group. They focus on recording, although members of the group do gigs on their own. When I tag one of them, it’s always first name ‘Gunboat’ followed by the musician’s real last name. “Original Sin” is part of their forthcoming album Manifest Destiny. You’re probably wondering why their latest lyrics stuck in my head.