Hootie and the Blowfish became a South Carolina legend, with the band achieving success on a level most musicians dream about. The band gave way to lead vocalist Darius Rucker’s solo career for awhile. Now they’re back with a second act and their forthcoming album “Imperfect Circle.” Continue reading “Hootie and the Blowfish new album ‘Imperfect Circle’ pending, but who’s the real Hootie?”
Eric Church’s Double Down Tour is so successful, he’s extended it. Again. Via the website Saving Country Music, it looks like a song from his album released in late 2018, Desperate Man, will soon be released as a radio single. The song “Monsters” was new to me; I hadn’t heard it yet. After listening, I came to the conclusion now is a perfect time to release it. Continue reading “SCM: Church single ‘Monsters’ reportedly to be released as single; perfect for the times”
Pop star Taylor Swift’s recent blowup over the sale of the label her first albums belong to made national headlines. Swift held nothing back in complaining about the label sale although she’s now worth hundreds of millions of dollars partly because of that label. Swift targeted Scooter Braun, the man at the helm of the purchase of her label, for allegedly bullying her, among other reasons. Rising country star Scooter Brown had no idea what would come at him as a result of mistaken identity. Continue reading “Swift blowup: Scooter Brown backlash case of mistaken identity”
Be forewarned. The chart is definitely addicting.
BMI, along with other industry partners, has published a new graph and data indicating musicians in the US have a big money pie to target. It doesn’t matter if you’re a known brand or an up and comer. The market share for the industry is huge, and the state I live in has enough revenue churning to fire up the ambitions of any songwriter, performer, or other industry professional. Start with the overall US market–$143 billion in annual value and 2 million jobs. Continue reading “‘50 States’ graph indicates musicians have a big money pie to target”
Sammy Sadler’s story, one he is recounting firsthand in a new book, is one of those cautionary tales about life in the corporate music fast lane. Sadler, a breakout country artist in the late 1980s, had every reason to expect success in his industry.
His voice commanded a wide range and his voice had something lacking in so many–character and uniqueness. He had the looks, and his songs were charting nicely. Then came the night when he and his friend Kevin Hughes were leaving Sadler’s record label offices. A gunman emerged from the shadows, killing Hughes and seriously wounding Sadler.
Though a song by the same name would chart, the murder mystery is often referred to as the ‘Murder on Music Row’. The song wasn’t about the murder. It was about the pop takeover of country music.