Something about country music legends Loretta Lynn and the late Patsy Cline will be released in a new Lifetime film airing in October, 2019. Cline and Loretta were close friends, and Cline actually played a part in getting Lynn attention from the country music industry. According to A+E Networks’ news release, the new film ‘Patsy and Loretta’ was co-produced by two people who knew more about the singers than most. Continue reading “Patsy and Loretta friendship revealed in new film about music legends”
Once the trailer for the new film The Joker was released, fans emerged with enthusiasm. Well, not all fans. Some on Twitter bemoaned what media are calling a “character film”, perhaps to explain how the Joker became a villain.
One individual, Alan Zilberman, self-described as a “Tattooed freelance film critic”, found gold in his comments about the film no one has actually seen yet. Overall, as with many matters, Twitter became Ground Zero for buzz about The Joker. Continue reading “Buzz explodes for ‘The Joker’; naturally Twitter is ground zero for gold”
When my husband asked if I wanted to watch the new film about the legendary Bonnie and Clyde, I said yes, but without much enthusiasm. By the end of the film we watched on Netflix, I was singing a different tune. The Highwaymen is well worth viewing. There’s another takeaway too, though, and there’s a lesson for indie artists. Continue reading “A lesson for indie artists in new film on Bonnie and Clyde”
If you’re a fan of the TV series ‘Deadwood’, you’ll understand enthusiasm for the forthcoming HBO film based on that series. I mentioned this film to my daughter this morning, and her response came across as your standard hallelujah. A cast of very talented actors converged to be part of the film, and if you check out the trailers, this looks like it will be vintage ‘Deadwood’ with an update set in the time after South Dakota became a US state. Continue reading “HBO sets ‘Deadwood’ release date; most regulars return”
A blockbuster film is coming from Quentin Tarantino in July, 2019, and the film has something in common with others being created in the USA. Tarantino got help from interests in China to make his film. The controversial filmmaker isn’t alone when it comes to money from Asia. Continue reading “Star-packed Tarantino film coming, with help from China”
I learned about the case of Kermit Gosnell via social media. Most national media ignored it at first, until ignoring it became impossible. At least one legacy newspaper scribe ended up apologizing for calling the case a “local issue.” When I learned multi-award-winning actor Nick Searcy was involved in an effort to get a film made about America’s “biggest serial killer,” I knew I’d want to see it. What I learned continues to disturb me. Certain critics also disturb me—I wonder if some who opined even watched Gosnell: The Trial of America’s Biggest Serial Killer. Continue reading “Indie Gosnell film details real life horror story buried by politics”
Episode 1 of the limited TNT series I Am the Night begins with Fauna Hodel’s search for her roots. The series is based on the real Fauna Hodel’s memoir One Day She’ll Darken: The Mysterious Beginnings of Fauna Hodel. Fauna’s search sparks fascinating questions. Is she white? Black? Biracial? There’s a more sinister turn to her story, however, and that turn involves one of the most intriguing unsolved mysteries in true crime. Continue reading “In episode 1 of ‘I am the Night’, Golden Brooks dominates”
We took in the musical ‘1776, A Musical Revolution’ at the Alhambra theater in Jacksonville, FL last week, and if you didn’t, you missed a great show.
It was no small feat for the creators, Sherman Edwards (music and lyrics) and Peter Stone (the book), to come up with a presentation that made history funny, witty, and informative. There were some amazing actors on board too. Throughout the night, the audience laughed and applauded, with many recognizing not much has changed in terms of partisan rancor.
By Jen Day Thompson
Durden Godfrey’s I Am Going To Kill Someone This Friday premiered in Jacksonville with a sold out, one-night-only event at the downtown Public Library on Thursday, August 9th, 2018.
For months, Facebook followers had seen teasers and promotional posts about the film, sparking interest, conversation and even a shout out from James Murray of television’s Impractical Jokers. Based on crowd response as the film ended Thursday, viewers were not disappointed.
Godfrey’s film premiere started with a red carpet pre-party and cocktails. Guests’ photos were made on the red carpet upon entering and everyone enjoyed drinks and conversation while waiting for the doors to open to the auditorium. There was an undeniable air of excitement from both guests and film crew.
I had the pleasure of meeting cast member Faneal Godbold who played Detective Iago in the film. As she waited to view the final product for the very first time at the premiere she expressed hope and optimism that films like Godfrey’s would help bring the film industry to Jacksonville, a city that has historically shown support for the arts. Godbold also acted as an advisor for the film, based on her extensive field experience in law enforcement.
I Am Going To Kill Someone This Friday takes viewers into the mind of Robert Partridge, a husband, father and marketing executive who suffers from psychological disturbances. As many indie films do, the story takes viewers deeper than the characters on screen, sparking personal revelations and introspection. Elizabeth Baldree, a friend of executive producer Jared Rush, was expecting an eye-opening journey into the mind of a psychopath. Following the film, Baldree confirmed that the production did that and more, sparking personal questions and uncharted talking points.
With sponsors such as the Jacksonville Film Festival, Durden Godfrey’s motion picture is paving the way for the growing local film industry. The arts have a way of uniting communities, and Blu Fogarty aims to see that continue. As president and executive director of CORE Incorporated, a non-profit organization that helps needy and underprivileged communities, Fogarty believes in the healing nature of the arts.
Fogarty’s organization’s rock operetta production, The Bacchanal Carnival, travels to small towns and inner city communities, with all proceeds going towards production and the communities they visit. A friend of the makeup crew for Godfrey’s film, Fogarty got into the spirit of the evening with themed face paint.
When the doors to the auditorium opened Thursday night, an usher reminded guests to take their time getting to their seats. That’s how packed the venue was for the premiere of I Am Going To Kill Someone This Friday. With a spectacular mix of drama, suspense, horror and dark comedy, reactions from the audience could be heard throughout the film. Thomas Siedle’s portrayal of Robert Partridge was unforgettable. Though I’d seen him making the rounds at the pre-party, it was hard to believe I was watching the same person on screen. The premiere event closed with a Q&A session with the crew and an after party hosted by The Volstead bar downtown.
Godfrey’s film earned lengthy applause from the audience at the premiere and is sure to see continued acclaim upon its release. As a community, Jacksonville proved its commitment to and support for independent arts Thursday evening. Despite an NFL game and a baseball game downtown, Godfrey’s film drew a crowd that filled every seat.
As the local film industry continues to grow, if Godfrey’s film is a preview of things to come, we have much to look forward to.
For more information on CORE Incorporated please visit www.COREincorporated.org
It was bad enough I already had a commitment for the premiere of the indie film produced in Jax, I Am Going to Kill Someone This Friday. It was a good thing my older daughter Jennifer Day Thompson agreed to cover the premiere for the film. This morning when I asked her how it went, she said, “It was a packed house.” The film did not disappoint. Obviously, we have a community here willing to support indie art. Continue reading “Jax indie film opens to a packed house and packed downtown”